In Coralie Fargeat's new feminist terror flick The Substance, hazardous social elegance criteria are actually the real beasts. They (female objectification, the fingertip of "the outdated," the expansion of a field improved body alteration) nourish a creature of a cycle that leads Demi Moore's fading TV individuality character Elisabeth https://gonewiththewindfilm.wikilima.com/844496/the_substance_2024